BARSAMIAN SCULPTURE

Gregory Barsamian, an artist from Brooklyn, New York, created the animated light sculpture in the tower’s base. Barsamian’s work has been shown in children’s museums, but Creative Discovery Museum is the first to have a Barsamian sculpture on permanent display.

This sculpture, “Lesson in the Park,” which revolves at a speed of 30 mph, uses animation to bring fabricated images to life. Visitors see what seems to be a three-dimensional bird coming out of a two-dimensional photograph. The bird then turns into a pair of hands, which release light bulbs that float into oblivion. Click here for more information on Barsamian’s work.

In a darkened room the artist presents sequentially formed sculptures on a rapidly spinning armature. A synchronized strobe light supplies the illumination. The images exist in real time and guests are able to share the same space with them. The conflict this sculpture creates between sensory information and logic recreates the state of dream reality. The scientific basis for the visual illusion is called the persistence of vision. Barsamian made sequentially formed sculptures in plaster, cast them in urethane foam rubber, and attached them to a motorized armature. To this, he added the synchronized flash of a strobe light, whose flickering illumination completed the illusion of animation.

Around 1989, Barsamian stumbled onto the form of the zoetrope, or wheel of life. Although regarded as a 19th-century parlor toy, the zoetrope was also a significant optical device that illustrated the scientific principle of "the persistence of vision." Introduced by Peter Roget (of Thesaurus fame) in 1824, this principle explained the phenomenon that we experience, for instance, in motion pictures: that the human brain "fills in the blanks" between sequential images seen in a rapid succession, creating an illusion of continuous action. Decidedly low-tech by today's standards, the zoetrope was progressive in its time. Images, at first hand drawn and eventually replaced by photographs, were mounted on the inside of a rotating drum. Viewers looking through slits in the drum witnessed this illusion of unbroken movement or animation.


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